Welcome

This is a collection of program notes, lectures and other writings by Dr. Laurence R. Taylor (1937-2004). Most of them were written for the Princeton Symphony and Opera Festival of New Jersey but some were for the Newtown Chamber Orchestra and Greater Princeton Youth Orchestra as well as some recitals. I am trying to get these online as fast as possible. There will be some strange formatting. Whenever you see a phrase in ALL CAPS he meant italics. Somehow pressing that little i button was too much trouble :) I will edit them to make that change when time allows. Suggestions are also welcome. Also you will find that LRT used British orthography even though he lived most of his life in New Jersey. Those spellings will remain since in his words "[I have had a] Close lifelong with British musical life – with annual return visits to refresh the soul by rejoining British friends, and drinking in a wide range of musical life there."


You may reprint any of the materials posted here for no charge as long as credit is given in the printed material to Laurence R. Taylor. I'd be delighted to receive a copy too.

Gene De Lisa


Saturday, February 5, 2000

Halvorsen: Entrance March of the Boyars

Entrance March of the Boyars

Johan Halvorsen (1864-1935)

Johan Halvorsen was a Norwegian musician of modest reputation, who made his name as a conductor and as composer of theatre pieces and colorful orchestral works written in the Romantic tradition of Edvard Grieg and other late 19th century Scandinavian composers. He is another of those little-known composers who lay a small claim to fame with a single attractive work, this being the “Entrance March of the Boyars” (1895). It is his best-known composition, written as incidental music to a stage play (presumably one set in imperial Russia, judging by the title). It is a brilliantly-orchestrated march with the sort of exotic textures which meant to evoke a somewhat “oriental” atmosphere, with Trio section featuring brilliant brass fanfares.

GPYO concert

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