Welcome

This is a collection of program notes, lectures and other writings by Dr. Laurence R. Taylor (1937-2004). Most of them were written for the Princeton Symphony and Opera Festival of New Jersey but some were for the Newtown Chamber Orchestra and Greater Princeton Youth Orchestra as well as some recitals. I am trying to get these online as fast as possible. There will be some strange formatting. Whenever you see a phrase in ALL CAPS he meant italics. Somehow pressing that little i button was too much trouble :) I will edit them to make that change when time allows. Suggestions are also welcome. Also you will find that LRT used British orthography even though he lived most of his life in New Jersey. Those spellings will remain since in his words "[I have had a] Close lifelong with British musical life – with annual return visits to refresh the soul by rejoining British friends, and drinking in a wide range of musical life there."


You may reprint any of the materials posted here for no charge as long as credit is given in the printed material to Laurence R. Taylor. I'd be delighted to receive a copy too.

Gene De Lisa


Saturday, February 5, 2000

Gould: American Salute

American Salute

Morton Gould

(1913-1998)

Morton Gould is perhaps the finest example of a composer of the sort of music which all too often is given little attention or critical respect: “light music,” music written in a direct and unabashed popular idiom, aiming to reach a wide audience. At the same time Gould was an artist of integrity, creating works of elegance and fastidious craftsmanship. A New Yorker, he began at an early age to work as a conductor and arranger in the world of radio----today it is hard to remember that before the television age network radio (and even some independent radio stations) maintained performing ensembles and staffs of professional musicians, producing a rich variety of excellent music (heard in live broadcasts), today rarely to be encountered. This provided Gould with his training as a composer, leading to work in the theatre, films and later television. Increasingly he was in demand for concert and stage works, including the acclaimed ballet, “Fall River Legend” (1947), his American Symphonettes, Symphony of Spirituals---even a “Tap Dance Concerto.” The “American Salute” (1947) is probably his best-known composition, being a rousing orchestral arrangement of the American folksong, “When Johnny Comes Marching Home.”



GPYO concert

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