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This is a collection of program notes, lectures and other writings by Dr. Laurence R. Taylor (1937-2004). Most of them were written for the Princeton Symphony and Opera Festival of New Jersey but some were for the Newtown Chamber Orchestra and Greater Princeton Youth Orchestra as well as some recitals. I am trying to get these online as fast as possible. There will be some strange formatting. Whenever you see a phrase in ALL CAPS he meant italics. Somehow pressing that little i button was too much trouble :) I will edit them to make that change when time allows. Suggestions are also welcome. Also you will find that LRT used British orthography even though he lived most of his life in New Jersey. Those spellings will remain since in his words "[I have had a] Close lifelong with British musical life – with annual return visits to refresh the soul by rejoining British friends, and drinking in a wide range of musical life there."


You may reprint any of the materials posted here for no charge as long as credit is given in the printed material to Laurence R. Taylor. I'd be delighted to receive a copy too.

Gene De Lisa


Friday, February 2, 2001

Wieniawski :Concerto for Violin No. 2 in D Minor: First Movement, Allegro Moderato

Concerto for Violin No. 2 in D Minor: First Movement, Allegro Moderato

Henryk Wieniawski (1835-1880)

The Polish violinist Henryk Wieniawski was born into a family of musicians, and showing a great musical talent at an early age, entered the Paris Conservatoire, studying the violin, and soon gaining notice as one of the most brilliant performers of his generation. Much of his career was spent as a travelling virtuoso throughout Europe, as well as spending two years giving concerts in North America. For twelve years Wieniawski taught at the conservatory in Saint Petersburg (in that period Poland was a province of the Russian Empire), where he had a close association with the great pianist, Anton Rubinstein, and became a close friend of Tchaikovsky. Always in frail health, the composer became dangerously ill in 1880, and was taken to live in the palational home of Madame von Meck, Tchaikovksy’s patroness, where he died a few months later. Tchaikovsky wrote of his death, “in him we shall lose an incomparable violinist and gifted composer…the D Minor Concerto shows a true creative gift.”

Composer of many concert works for violin, the Second Concerto is his outstanding creation, a work of fire, lyrical power and great color.

The concerto opens with an introduction featuring a gentle theme in the violins, shared with the winds, and setting the stage for the entry of the solo violin, who is first heard taking up the initial melodic element, now adding some virtuoso touches. A richly lyrical secondary theme follows, which leads to an episode of increasingly brilliant technical display, all the resources of the violin given full rein.

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