The Arrival of the Queen of Sheba
George Frideric Handel (1685-1759)
Handel, after a brilliant period in London as composer of Italian operas, responded to a shift in public taste away from opera by a shrewd career move, writing oratorios, large quasi-operatic works (with English texts) on religious subjects, designed for performance during Lent, when theatres were closed, and musical activity sharply curtailed. “Solomon” is one of Handel’s later oratorios, dating from 1749. The “Arrival of the Queen of Sheba” is actually the name given to the Sinfonia (“Overture”) to Act III by the 20th century conductor, Sir Thomas Beecham. It is a buoyant, buzzing movement full of bright fiddle-faddle figuration in the strings, punctuated by brief interjections from a pair of oboes, creating a mood of festive anticipation quite appropriate for the splendour of the dramatic situation.
NCO concert
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